#i think they look very silly i think they have a great capacity to be horrific

[carpetcat2]

[gay-dorito-dust]

Will you do a scenario of how we’d meet Bill for the first time and what he would be like if you were sort of “friends”? 🙏

You were minding your business while walking through the woods of Gravity Falls, just needing a change of scenery and finding the woods to be the perfect place to do so with it’s mushrooms, flowers and the wildlife that crossed your path.

Everything was seemingly fine and not out of the ordinary until you started to feel like you were being watched from somewhere, you looked to see if you could spot anyone, but all you could see were birch trees that had markings on the bark that suspiciously looked like eyes. You were just about thinking of leaving until you heard a voice from somewhere.

‘Hey kiddo!’

You looked to the left, nothing

‘Other way kid.’

the to the right, nothing

‘Colder.’

Up? Nope, nothing.

‘You’re practically an human popsicle at this point.’

How about looking down? Still nothing. Now you were getting confused, scared and annoyed.

You heard the voice sigh and say ‘you’re starting to make me feel sad, here I’ll make this a little easier for you.’ Then before you could say anything, a small yellow triangle with one eye wearing a top hat and bow tie appeared before you.

‘It’s great to finally meet you y/n.’ It said and immediately you were freaked out.

‘Who are you and how did you know my name?’ You asked, uneasy.

‘The names Bill Cipher and I know lots of things, lots of things.’ Bill replied, shrugging. ‘Wanna see what I can do?’ He adds after a brief pause but before you could answer him, he held his hand out to a nearby deer as its teeth were taken out of its mouth and into his small hand in a neat pile. ‘Deer teeth for you kid hehe.’ He then chuckled as he dumped the pile of deer teeth into your hands.

You on the other hand didn’t find this funny and fought the urge to vomit as you offered Bill the deer teeth back. ‘Mind giving the deer its teeth back? I’m sure it has more use for them than either of us.’ You ask as Bill did as you asked and gave the deer its teeth back as it galloped off elsewhere, leaving you alone with the weird triangle in the woods. Everything that had happened within the past five minutes had been overwhelming for you, too overwhelming that you had to sit yourself down on the trunk of a fallen tree and put your head in your hands, muttering to yourself.

‘This isn’t real, this is all some weird fever dream or I’m tripping balls. There’s no other explanation.’

Bill only chuckled as he floated next to you and patted you on the shoulder. ‘There, there human I can reassure you that what you just saw was very much real.’

You looked at him from your hands, unamused. ‘You fucking suck at comforting people you know that?’

‘I think we’ll get along great!’ Bill chirped gleefully.

‘We absolutely will not.’ You replied but you had an inkling that your opinion on the matter didn’t matter.

Now onto how bill would be if you were sort of ‘friends.’

He’s got a weird way about showing his feelings in any capacity.

The little shit put rats, dead rats outside your door, spelling out your name on random ass occasions that made it look like to others that a) you were haunted or b) had a weird stalker who liked to form your name out of dead rats.

He doesn’t want you having friends outside of him because and I quote ‘I’m the only friend you need, why bother with anyone else. So don’t even try cuz I’ll be watching you.’

Will leave sticky post it notes anywhere and everywhere saying to get more silly straws or else he’ll find a way to possess you and make you do embarrassing shit. Ie: walk through town in your underwear, make you speak backwards, kick a child-

Bill was a brat and his pranks were often traumatic but apparently they were ‘light’ in comparison to the stuff he did to his other meat puppets. You didn’t ask any further questions about what he meant by that in fear that he’d show you one as an example.

You are probably the only person who bill has told about his secret technique with mascara and eyeliner, even seeing him do it once when he insisted that you had a ‘sleepover’ at your place. He even points the mascara brush at you warningly as he threatened that you were to never tell people about this or else.

His version of jealousy when he sees you spending time with others is to trash your house and try to act cute when you catch him in the act. You don’t fall for this and give Bill the silent treatment for the rest of the day as he practically lost his shit over your lack of attention.

Probably air horned you awake once.

Bill Wouldn’t tell you this but he make your enemies do stupid shit that resulted in their deaths, for fun he claims but he didn’t want his favourite meat sack to start leaking water from their eyes every time something went wrong in their life. So he just cuts them out in the most brutal way possible.

Bill was stuck to you like glue and there’s was no way to hide from him as he would ultimately appears where you are, even if you’re in the fucking shower, he don’t care.

Bill: *appears in shower* my favourite meat sack have you- stop screaming it’s only me, have you seen a king cobra anywhere, I must’ve dropped it somewhere here-

He probably once threatened you with the whole ‘steal your eyes’ thing like he did with Ford but you had witness enough of Bill’s behaviour to know that he was joking about that, to which he was proud and would magically make a cake filled with worms, bugs and other unpleasant things appear in celebration.

You may or may not have been sick that day.

Your and Bills friendship was weird, probably not the healthiest in all honestly and you should seek help and or maybe therapy for the shit he’s out you through.

You were his property, you were his pet, HIS MEAT SACK and you wouldn’t be allowed to go anywhere without him knowing and or being nearby in hopes of catching your eye.

Just a yellow triangle with one eye and a top hat and bow tie floating ominously in the background was enough to unnerve anyone.

You had no freedom as far as you were concerned in this ‘friendship’ but bill likes to claim that he has given you the most freedom out of anyone who has ever existed.

[shinedoitsulikeabright]

So, about God Games...

I know I recently made a similar post in regards to 600 strike, but I can't stop thinking about what this song could've looked like if we had all 12 Olympians taking part.

So, this is what I've managed to come up with thus far. It ain't much, but it's honest work.

(I won't be going in any particular order. This is going to be a long post so brace yourselves.)

Dionysus: His whole argument is that Odysseus never lets loose and parties. Instead, he's spent these 20 years being all miserable and serious.

Athena's rebuttal: Sure, he never lets loose, but how could he? He's been continuously going through nightmare after nightmare. If Dionysus agrees to let him go, he'd return to his usual whimsical, silly guy self and party for days to come, celebrating the reunion with his family.

Hermes: Although Hermes wants to let Ody go, he still chooses to tease Athena because he's a troublemaker like that. He would say something obviously wrong, just so Zeus can't say that he didn't participate. He'd probably say something dumb like "had Ody been smart, he would've entered Circe's palace and simply stolen the piggies when she wasn't looking".

Athena's rebuttal: She'd roll her eyes but play along. Her response would basically be no, he couldn't have done that because Circe would've known. And even if he succeeded what would he do with a dozen pigs on board? She'd then point out how similar the two are: both very cunning, manipulative and skilled with words.

Demeter: Her argument could be that while Odysseus was away, he failed to take care of his land and people, leading to the agriculture suffering (because I honestly doubt that Penelope had the mental capacity to attend to all that the way she normally would with everything on her plate).

Athena's rebuttal: She'd try to draw the parallel between the relationship between Demeter and Persephone and Odysseus and Telemachus. She could point out how heartbroken Demeter felt when she couldn't see her beloved daughter, tugging on her heartstrings and convincing her that Odysseus was going through the exact same agony.

Artemis: I honestly think she wouldn't care about Ody. The only reason why she'd participate is to appease Zeus. Anyway, I think she could do the Hera bit where she's like "gimme one good reason why I should help".

Athena's rebuttal: Athena could try to recount the boar encounter to show how great of a hunter Odysseus is. Plus, she could add that Ody's weapon of choice is the bow aka something that Artemis also uses.

Apollo: Since we're doing Artemis, might as well do her twin next. Apollo, as the patron god of Troy, could point out that Odysseus destroyed the walls he helped build. Then, he could also add that argument about the sirens.

Athena's rebuttal: Here, Athena could say that it wasn't Ody who destroyed the walls, but the Trojans who demolished them in order to let the wooden horse in. As for the sirens, she can repeat that argument she used in the official song. Or, better yet, say that if Odysseus returned home, his journey would inspire countless songs and works of art.

Hephaestus: I think his entire bit is perfectly fine (both in terms of the argument, as well as the rebuttal). Either way, I doubt Hephaestus really cares and it shows. He just wants to get back to work... And Athena wants to be out of there asap considering their history.

Aphrodite: I think her argument is good, although I do find it a bit strange since she is most typically associated with romantic/sexual love. Hera or Hestia would've been better picks for familial love imo. Anyway, if I were to rewrite her argument, I'd make her be petty and say something like "he hasn't bed his wife in 2 decades!". Overall, she really couldn't care less, she just wants to mess with Athena.

Athena's rebuttal: I think she'd snap and be petty back, saying something like "well, who's fault is that?" (considering it was Aphrodite who basically started the Trojan War). Then, she'd recompose herself and say that if Aphrodite agreed to free Odysseus, he'd return to his wife and make up for all the lost passion.

Ares: Great argument imo, no notes. Sidenote, but I love Ares so much. In fact, I named my first dog after him.

Athena's rebuttal: Her canon rebuttal needs work, I think. After all, it wasn't the lack of bloodshed Ares had a problem with, but cowardice. If I were to rewrite it, I'd make Athena defend Ody's actions by pointing out that what Ares sees as "cowardice" was simply strategy. As for the Telemachus call-out, she could point out Ares' hypocrisy. On one hand, he insults the kid for being pathetic and on the other, he prevents his father from returning home, thus not allowing him to teach the necessary skills he needs in order to be a warrior. Additionally, she could appeal to Ares' softer side. He's one of the few gods who actually loves and cares about his kids, so she could appeal to that.

Poseidon: Yes, the big, bad man himself. At first, Athena is a bit worried about her ability to convince him (I mean, in the original Odyssey it says that he was one of the few gods she feared opposing directly + they already have a strained relationship due to the Athens rivalry). However, Poseidon is so done with this mortal that he just lets him go before his niece even gets the chance to open her mouth. In reality, he wants Ody to be set free just so he could kill him with his own hands. He's way too invested in this, dammit.

Hera: As the goddess of marriage and family, Hera could argue that Odysseus had been a bad husband and father. I mean, he spent 20 years pissing off gods and monsters instead of focusing on returning to his wife and child.

Athena's rebuttal: Athena could argue that he's actually been an exceptional family man considering how much he was willing to sacrifice just to return to those he loved. Then, just to put the nail in the coffin, she'd repeat the whole "never once has he cheated on his wife" slam dunk.

Zeus: Our thunder bringer isn't exactly pleased that his daughter beat the game. In fact, he's pissed because she not only humiliated him by winning, but she also won by humiliating him (with the whole not cheating argument). Anyway, the canon event happens where he strikes her with lightning and she begs for Ody to be set free.

[infantilebliss]

Infantile Encouragement

I think that it is very cute that there are so many adults that want to go back to a time where they can relax and enjoy themselves without having any form of stress, anxiety, or depression holding onto them in any form or capacity. Giving such cuties proper treatment by making sure that they can destress and let themselves become loosened more and more is something that many should do, in my opinion. Life is something that is generally hard as it is, so giving people the time to relax and enjoy themselves rather than being miserable and feeling gross about themselves is always something that I encourage more than anything else.

Constant affection for such infantile adults that want to feel all their worries go away just simply need lots of love and affirmation. Every time they do something silly, do something childish, do something cute, or just being a clumsy, messy little thing that can't help but giggle as she purposefully makes a mess of themselves should be given lots of love for it. Constant hair brushes, tubby and back rubs, tickling of their feetsies, bottom pat-pats and rub-rubs, and many kisses across the body when they aren't being constantly cuddled and held tightly. Little ones should be able to feel like they are able to simply be as small as they want to be, without having to worry about being 'looked down upon'. Instead, being constantly praised and filled with affection as they are allowed to be the cute little rugrats that they want to be~

Of course, giving such little ones the means to help them by treating them as small as they want to be is always a great way as well~ Does the little one want to be waddling about like a big tot and just be lead around as they suck their thumb? Have all their clothes be designed for their new waddling life and help them regain all of their lost infantile urges, whether it be their oral fixation or their desire to plop down somewhere and babble with their stuffies... And if they want to be crawling around or even less than that, wanting to be even more dependent than even the adult toddlers? Then giving them even more treatment and proper caretaking to ensure that they feel small and helpless, and enjoying it as well~ Whether it be constant loves and kisses, playing with them by speaking through their stuffies, nom-noming their toes, or shaking their other toys above them... giving them thicker padding, feeding them sweeter and fulfilling drinks that they need to be fed with rather than simply strapping them on a highchair... making sure to place as many baby-proofing gates and locks to ensure that your little one doesn't have to fret about acting above what they want to be, either ignoring such urges as they logically conclude that they can't and can simply relax, or call out to their caretaker to get the job done~

Either way, in a proper mutual relationship between adults, even if it generally feels one-sided in some forms of perception, giving and allowing such to be able to relax and enjoy themselves is always the way to go~ Constantly being firm but also very gentle, being kind and soft-spoken as much as you can and always causing a little adult to feel nice and warm from their pretty head to their itty bitty toes~ Adult Littles that want to go as small as they can will need both more love and more order in their life as they seek to become smaller than some others, but having a little one that just constantly wants to be picked up every day and take the opportunity to snuggle into your neck, stealing kisses, or squeezing tightly with all their little might is a reward that many loving caretakers will enjoy every day, and probably take the opportunity to give it back in turn <3

[raven-at-the-writing-desk]

It's funny to watch you insist all the time you're not into L*ona and J‐Word and then roughly every 6 months you stage a takeover of the Sebek-Zigvolt-Defenders-Club and loudly and proudly proclaim he's the best boy actually and we should all love him.

In all seriousness, it was your thoughtful analyses that changed my mind about Sebek some months ago and I now also preach the good word about him. He's so loud and dumb and silly and I cry when we get more of his lore and personality revealed, so you're doing great work soldier 🫡

(P.S. Is this confirmation of the list of your favorite first, second, and third year? Two secretive schemers known for taking advantage of people and one tall, loud, loving croc boy with a big ol' heart😏)

[My two big Sebek analysis posts: here and here! Other Sebek analysis can be found in this masterlist.]

I insist I'm not into J word and L*ona because I am, in fact, not into them :) Trust, trust. I cannot tell a lie :))

IS IT REALLY EVERY 6 MONTHS... If so, that's totally unintentional on my part 😂 If I put out a Sebek analysis, it's because there was an ask about him or there's been new official Twst content that I want to scream and shout about. Between Sebek, Jade, and Leona, I feel that Sebek is definitely the most easily understood and most disliked one, especially from the get-go. General opinion of him seems to have improved considerably thanks to book 7, but to this day I still remember the visceral hate he received because he was labelled a racist or loud or an ass-kisser or having no personality outside of liking Malleus. It was sad to see him getting trashed... so I guess I felt like someone had to defend his honor www (And to be clear, it's okay if you dislike Sebek!! Not everyone has to like him. I'm only saying that I don't agree with the opinion that Sebek is a shallow character.)

AAHHABIHFAHSFHQGTG830TQ3P9Nadfhubabyoifam;,; I'm happy that my analyses helped you to see him in a new light!! Again, Sebek truthers rise up ✊ He's a himbo, but he's OUR himbo...

I'd say that Leona is at the top of the third years for me, yeah. B-BUT NOT BECAUSE I LIKE HIM OR ANYTHING, GOT THAT???? It's mostly because I don't find most of the other third years that appealing to me. Jade faces much stiffer competition, since I like most of the second years. However, he manages to pull ahead of the rest of them by a smidge. It's actually Sebek that's fighting hard to keep the spot of my favorite first year; the other two I really like are Ace and Ortho. Ace fluctuates a lot though... While I do find his bratty personality cute (especially when he's doing vocal impressions of the other characters) and appreciate him having the gall to tell others off (regardless of power or social statuz disparity), I also find him very annoying and immature. So I guess it's actually Sebek versus Ortho, the more solid candidate. I think Ortho's relationship with his older brother is very sweet and, of course, tragic. I also love that he looks so innocent but has a deep capacity for violence (laser beam to the face, anyone?) and a strong curiosity to learn more about what it means to be human.

Assuming that Sebek, Jade, and Leona are my respective favorites of each year though 💀 They’re all freakishly tall and pretty muscular (sliding scale of least muscular J word to most muscular Sebek www)… Two big brains and there there’s just. The baby with brawn.

chsjwvjwjwow I mentioned this to some friends and here’s how that convo went:

THIS WAs 100% UNINTENTIONAL… OTL

[utilitycaster]

sort of an offshoot of that post about video game characters but I think I've mentioned before the third person v. first person split in D&D, namely, do you say "I attack it with my scimitar" or "Drizzt attacks with his scimitar". This is a well-known thing in TTRPGs, I'm sure you can find more intelligent discussion about it, but it's come up for me specifically in that a lot of old-school D&D players skew hard towards third person and often they are less interested in actual play, because they see D&D as a narrative tool. There's no self-inserts; they are narrating the exploits of a guy they made. And so the parasocial elements (which are not necessarily bad, it just depends, and that's another post) have no appeal, and even things like accents don't really.

I don't think third person vs. first person necessarily means "not a self insert vs. self insert." I switch between the two and often use first person. But I don't feel like any D&D character I've played is a self-insert. They have aspects of me, sure, because of course they do, I need to be able to play them and try to think like them, but I think in a game where death and failure are really possible and where you must collaborate and where your options are rather limited - because even in D&D, they are limited by the type of game it is - it's actually vital to separate yourself out from your character.

It comes down to something I've said a lot about so many things in fiction (but yeah, this does bleed into real life): are you able to accept a character who is not like you? Are you able to accept a character who might make wildly different choices than you would? Is your capacity to empathize or see a character as a person limited by them specifically hitting some demographic or philosophical targets you have constructed? Can you, even in a low risk, fictional environment, let yourself be different from how you are.

this seems very silly but I think I may have alluded to Justin McElroy talking about not being able to play fat characters in most games, and so he often just plays characters who do not look a thing like him. He often plays as a woman of color. (I don't recall where this came up? I think it might have been on an ancient polygon video or maybe commentary on one of the TAZ seasons? I'd love to find it again). And I think that's actually really great that this was his instinct. I don't want to diminish the importance of RPGs and TTRPGs for self-discovery; obviously it's been a place for many people to explore gender and sexuality, especially, and I do not want to take away the ability for someone to play as a woman in a game before you feel like you can live as a woman publicly in real life (and notably my issues with the BG3 and Inquisition player characters are not ones of gender/sex/race, ie, I think it is personality and background that might need to be more pre-determined). But yeah, if you cannot connect with characters who aren't like you that's a problem, and it does feel a little frustrating that we know that centering a self-insert OC type makes for a worse story and people still want that.

I've always been intrigued by pre-made sheets in TTRPGs where you are limited in some way, not in a dumb "oh my god you can't play a druid bc I'm a weird vindictive dude mad that your nature magic beats my weaponry" way but just as an exploration of having to walk a mile in other people's shoes and to be a person other than one that you created to exist within your comfort zone. Because a lot of people aren't Justin, and do play themselves or as close to it as they can, regardless of what is happening around them, and I think that is a mistake.

[allastoredeer]

What funny for me it's when I see some people in radioapple fandom saying why they can't see Alastor as a bottom is because "he would never be a bottom because of his ego!" (and right under a post with b!Alastor content, the nerve)

Meanwhile Lucifer, King of all Hell, Sin of Pride personified, the man who stole Adam's first wife and claimed to do the same with the second, and had two songs about how great he is compared to others: am I a joke to you?

EXACTLY! Preach Anon!

Lucifer's ego is just as big, if not bigger, than Alastor's. I was rewatching the show recently, and during the "Dad Beat Dad" episode, literally the only person he was nervous, bumbling, or awkward around was Charlie (and Vaggie, to a certain degree considering she's Charlie's girlfriend).

In every other interaction he was smug, arrogant, indifferent, unimpressed, or downright dismissive. His whole song with Alastor was just him flexing his power and getting more and more insecure & angry about how "close" Alastor and Charlie were. I think people forget that Lucifer is the Sin of Pride, and you can 100% see it in his behavior towards the other characters. Obviously, he got closer to the Hazbin Crew, especially during the last song in the finale, but that doesn't make his ego magically disappear.

And I love that about him.

I find his huge capacity to love (both Charlie and creation) so endearing, but it's better and so much more interesting, when it's paired with the fact that his ego gets bruised so easily. He's the most powerful being in Hell, while also being insecure as fuck, while also being the personification of Pride itself. Is that not the tastiest, most delectable character to ever character????

Look, yes, Lucifer is depressed. He and Lilith got divorced. He and Charlie were estranged to each other for years. He lost his will to dream after being cast out from Heaven. He spent all his time making little rubber ducks, locked away in his room. But that doesn't, by any means, make the man humble.

If you look at Alastor and say he's got too big of an ego to bottom, and then turn around and make Lucifer the most bottomy bottom ever, then I say go back and rewatch the show, cuz you're missing a few very important factors. Especially if you're basing someone's capacity to bottom on ego alone. (I, personally, love it when prideful, egotistical characters bottom. It's so much fun).

Mostly just...hhhhhh, please stop stripping away all of my short-kings most interesting characteristics. I don't want a small, wide-eyed, easily manipulated little UwU soft boi. I want snarky, powerful as fuck, insecure, egotistical, provocative short-king who gets pissy when his daughter talks to a homicidal deer man with a silly haircut instead of him (while also being very soft, loving, and caring). He's multi-faceted, and that's what makes him interesting.

Once again, this isn't me getting after people who enjoy top!Alastor and bottom!Lucifer. Do what you want, I hope you're having fun. Just don't go commenting below other people's posts with shit like "Alastor wouldn't bottom because of his ego," when Lucifer is just as much of an egotistical little shit as he is.

Thank you for coming to my Ted Talk.

[nolita-fairytale]

comfort & chaos (carmy berzatto x fem!reader) chapter two: covid & carbonara

summary: in a time of isolation, you and carmy find unexpected connection in unexpected places: each other. (the five times carmen berzatto fell in love with you a little and the one time he finally told you)

warnings: swearing, no use of y/n, she/her pronouns, drinking & smoking, suggestive language, mentions of covid-19/the pandemic, eventual smut.

word count: 4k

listen to: hot sugar - glass animals | hard to live in the city - albert hammond jr. | alone together - del water gap | foreign girls - bleachers

read: chapter one

March 2020: 

“Carmy, can you hear me now?” you ask, listening carefully for his response. 

“Yeah hold on. Wifi’s shit in this room,” he mumbles. You hear a rustle of sounds and the picture on your phone goes blurry for a second. This is just something you’ve come to accept is a part of your life now as you wait. 

Suddenly, the picture is clear again and it looks like Carmy’s in his living room now. He wears a white t-shirt and a pair of sweatpants as he tries to get comfy on the shitty sofa in his Flatiron apartment. 

“Ok there we go. I gotta-, yeah, I can hear you now,” he says, finally settling in. 

“How are you?” you ask as you grow more sure that you’re going to be able to talk now. “It’s good to see your face.”

“Yeah, no uh. It’s good to see you too,” he replies. “Shit’s so weird right now, huh?”

“Totally,” you agree. “So… what’ve you been up to? I mean… how are you spending your time?”

He sighs, shaking his head, as if to say that he barely knows how to answer that question. He thinks it over before answering with:

“I don’t know. Workin’ on some recipes. Tryin’ not to lose my fuckin’ head. You?”

“Same,” you commiserate. “Though… I don’t know. I’ve kind of been enjoying some of the down time, you know?”

He couldn’t agree less. 

Carmy tells you about the recipes he’s working on. You share with him the plot of the show you’re binge watching right now. He tells you he hasn’t really been in touch with family much and you let him know that you’ve been running errands for your parents where you can. It’s a fairly normal conversation for a very uncertain and strange time, but it brings you comfort – talking to Carmy. 

You talk about the state of the restaurant industry. The state of the world. The two of you wonder when the restaurant might open back up – if they’ll consider doing to-go’s. He’s not sure and neither are you.

It’s almost two hours later when you realize your phone is dying, and that somehow, time has flown as the two of you have been talking. 

“Shit, uh. My phone’s dying. I may have to go,” you say remorsefully. 

“Oh yeah! No problem,” Carmy replies, almost apologetically. “And I uh, if I get in touch with the people at World Central Kitchen, I’ll let you know. I’m sure they can always use more chefs and volunteers.”

“No, that’d be great. Uh… before I go,” you start, knowing that you want to tell him this. “I just wanted to say… I’m glad we did this.”

“Yeah me too,” he agrees, and you can tell he means it. 

“Maybe… we do it again? Keep each other company… you know. Virtually?” you propose, hopefully. 

“Yeah,” Carmy half smiles. “Yeah, I’d like that.”

And as the pandemic drags on, you find yourself FaceTiming with Carmy more and more. Once a week turns into once a week and a consistent exchange of texts. He shares with you the recipes he’s working on. You bounce ideas around with him on dishes he feels stuck on. You send him silly memes and TikToks, even though he refuses to get an account himself. Once a week turns into twice a week, and then phone calls, and soon enough, you don’t go a day without talking to Carmy in some capacity. 

You’re not sure how you’ve done it but you think that maybe you and Carmy just might be friends. 

May 2020: 

“Thanks so much for all the help guys. It means a lot. Especially having two chefs of your caliber,” the volunteer coordinator says, addressing both you and Carmy. 

“Listen, we’re just happy to be a part of something right now. With so much going on… it’s hard to know where to begin helping,” you reply with gratitude. You’re genuinely thankful that you’ve been able to be a part of World Central Kitchen’s COVID relief efforts, and you know Carmy feels the same. 

“We’ll see you guys next Friday?” the volunteer coordinator asks. 

“Heard,” Carmy answers, thanking the coordinator one more time before the two of you leave the building. 

Around the corner, there’s a bench that the two of you find. It’s an easy choice to sit down – neither of you are quite ready to go home yet. You sit on opposite sides before removing your masks as Carmy pulls out a pack of marlboros. 

“You want one?” he asks you, holding out the pack.

“Yeah,” you agree, taking one from him at a distance. You watch him light up, before handing you the lighter he keeps in his jean jacket pocket.

It’s nice to take a moment to pause. Between the chaos of being in a kitchen again to the chaos of the world around you, it feels good to smoke a fucking cigarette on a street corner with the man that’s so unexpectedly become your friend. The two of you sit in a comfortable silence, just enjoying the sounds of the city, each others’ company, and your fuckin’ cancer sticks. 

You break the silence between the two of you, letting out the smallest chuckle.

“What?” Carmy asks you, your laugh garnering his attention. 

“It’s just… it’s almost funny,” you say, continuing your giggle. 

“What?” he asks you again, a look of amusement on his face. He can’t imagine what must be so funny. 

“Just… seeing you here… Mr. Fine Dining…makin’ sandwiches,” you tease playfully. “Thought you were too fancy-pants for that.”

“Fuck off,” he rolls his eyes playfully, sucking on his cigarette as he inhales. You laugh again as he shakes his head, shooting you another look. 

He takes his time, exhaling the smoke out in the opposite direction, before addressing your playful remarks. 

“Nah. It uh-, actually reminds me of my family’s place a little. Back home,” he shares with you. 

It catches you off guard. Carmy rarely ever talks about home, let alone his family. 

“Yeah?” you ask curiously, hoping he’ll elaborate.

“Yeah,” he answers with a nod, before placing the cigarette back in between his lips. 

To your disappointment, you realize that’s all he’s planning to share. You resign yourself, taking another drag of your cigarette as the two of you smoke to the sounds of the city. After a long shift at the volunteer kitchen, your exhaustion begins to catch up with you. It’s been a few months since you’ve had to stand for that long, and as exhilarating as it’s been, you can feel the fatigue in your back and your feet already. 

“So… I was thinkin’ about something,” Carmy says, breaking the silence between the two of you. 

You angle your body towards him before asking, “What’s that?”

He shrugs, “I don’t know. Maybe it’s dumb.” 

He’s suddenly shy, and your eyes flicker over his cheeks that have turned a darker shade of red than they were before. 

“Carmy, what is it?” you ask, leaning towards him, now intrigued.

He avoids your gaze before he replies, “Nah. Nevermind. It’s stupid.” 

“No, it’s not! What is it?” you continue to press him.

You’re not going to let this go. 

“I shouldn't've said anything.” 

He sighs, taking one more drag of his cigarette before leaning forward and tossing it on the ground. His left foot hovers over the cigarette butt as he stamps it out, his forearms resting on his legs as he finally turns to you again. 

“I don’t know how you feel about it, and you can totally say no because like… shit’s still fucked, you know but-,” he starts, shyly. Was Carmy about to ask you out?

 He pauses, his eyes scanning the pavement beneath his feet before saying, “It’s just-, I’m not like, seeing anyone else in person. Except you.”

“Yeah, no me either,” you agree. 

Where was this going?

“Would you maybe wanna-?” he asks, before trailing off, his piercing blue eyes so intense it feels like he’s looking right through you. He nods towards the kitchen before continuing with, “... see each other in person. Like outside of here. As long as we’re being safe you know?” 

You nod, quick to put the poor man at ease, and only a little intrigued as to why it was so difficult for him to ask you that. 

“Yeah no. I’m not seeing anyone else in person either. And at this point if we had COVID, we’d probably already have exposed each other, right?” you reply. 

“Yeah,” he answers. 

“Yeah, I’d be down. To… you know. Maybe move some of our FaceTimes… in person, if that’s what you mean,” you agree, a smile on your face. 

You’re not sure what you expected, but you weren’t expecting for Carmy to ask you to become his quarantine buddy – even if you’d already kind of been doing it anyways. 

“Cool,” he says, taking a breath. 

You can tell that it was a big deal for him – to ask you that – even if he doesn’t want to show it. 

“Can I walk you home?” he asks. 

You smile in return, “Yeah. And if you’re feeling wild… we can… pick something up on the way there. You can come up and hang.”

“No, yeah. That uh-, that sounds great,” he replies, something softer in his eyes this time. “If you don’t mind. I mean-, if you want the company-.”

“Oh shut up, Berzatto,” you roll your eyes at him. You shoot him a look, even though you’re kind of loving this softer side of him. 

“I wouldn’t have offered, if I didn’t.”

July 2020: 

Carmen Berzatto becomes an unexpected yet pleasantly surprising part of your support system, and your COVID-pod. It’s hard to believe that less than a year ago, you thought the man absolutely hated you. He’s still the hot and cold, emotionally turbulent man you met last October, and he’s also become your friend. You’ve learned that he can be soft, that he’s terribly uncomfortable in any and all social situations, and that he’s the most single-minded, driven, obsessed motherfucker you’ve ever met. 

By now, the restaurant has pivoted and reopened for to-gos only. It’s nothing like the fine dining establishment it was before. You’re only open Thursday to Sunday and it’s a much more family style, to-go kit sort of operation these days: to-go cocktail kits, to-go curated menus, to-go assemble your own dishes at home. 

It’s strange. And it’s a strange time for all of you. 

You’re finished with your shift today, ready to head home and spend the next three days off. You’re not sure when you’ll ever get three days off in a row once all of this is over, so you’ve decided that you’re just going to embrace the slower lifestyle right now. You’ve been more creative in this chapter of your life than you can remember. 

“So you layin’ it down for Carmy or what?” a voice asks, jolting you from your thoughts. 

“Excuse me?” you snap, turning your head to a very smug looking Nate Walker, stripping off his face mask.

“What the fuck, man?” Tim exclaims, as he’s changing back into his street shoes. “Not okay to say.”

“What?” Nate defends himself. “I’m just wondering who I have to thank. This is the most relaxed I’ve ever seen the boss man.”

You scoff, rolling your eyes, “Really nice, Nate.” 

You shake your head, before slinging your backpack over your right arm, exchanging a look with Tim. 

“Not that it’s any of your business, but Carmy and I are just friends,” you correct. “Ever think that some time off has been good for all of us and that’s why Carmy’s been chill?”

“‘S not like we’re working at the same capacity we used to be. I think it’s been good for him,” Tim chimes in, trying to offer you a little backup.

“Sure,” Nate replies, unconvinced. 

“What’s it to you anyways, Walker?” Tim asks, putting the spotlight on his coworker. 

“Nothin’,” Nate replies, defensively. “Just noticed you guys spendin’ a lot of time together lately. Besides, the guy could use a good lay.”

“You’re a child,” you snap with an eye roll. You slide your left arm into the other strap of your backpack, ready to leave. “Now if we’re done with the girl talk, I’m going home.”

As you begin to walk away, you can hear Nate defending himself as Tim points out how inappropriate it was for him to say that to you. You’re grateful for people like Tim, because you’re not sure that Nate would listen to anyone else lower in the French brigade system – let alone a woman. 

“We still on for tomorrow?” Carmy asks you, as you're on your way out. He’s still in his chef whites because, as the both of you know, he’s going to be the last person to leave. A smile spreads across your face as soon as you see him. 

That’s right. You’re spending your day off tomorrow with him. 

“Yeah,” you smile with a nod. 

“Mine or yours?” he asks. 

You shoot him a look – a ‘I know you haven’t cleaned up your place’ kind of look. 

“Mine,” you reply. 

“Sweet. There’s a cool market nearby I wanted to check out. I’ll pick somethin’ up on the way,” he says back. 

“Heard.”

You wait a beat before adding, “Try not to work too hard, chef.”

He likes that you’re looking out for him. 

He smiles, “Heard.”

*

As much as you’ve tried not to let Nate Walker get to you, you can’t stop thinking about what he said the day before. Did people think you and Carmy were sleeping together? Did the whole staff think you were trying to sleep your way to the top? Your mind races, and you notice the anxious feelings you have have settled deep in your chest. Carmy moves around your kitchen, intentionally, and while you’d like to enjoy how happy he looks when he cooks for fun, you can’t seem to shut off your brain. 

“You sure I can’t help? I went to culinary school too, yknow?” you ask, trying to put on your best lighthearted tone. 

“Nah,” he dismisses, pulling together a sauce in one of the glass bowls you keep in your kitchen for prep. 

As Carmy steals a glance your way, he’s surprised to find that whatever weight it seems you were carrying when he first walked in, hasn’t gone away. He returns his focus to the stovetop, shaking the stainless clad frying pan that holds his precisely-cut lardons. 

“What’s up?” he asks you, keeping his back to you. 

“Uh… nothing,” you reply, trying your best to shake it off. 

He knows you’re lying, and he turns to look at you again, more intently this time. Your lips are pressed together in a thin line and there’s a new tension knitted between your brows that’s not normally there. As much as you’re trying not to let it get to you, your face betrays you and he knows that something’s been bothering you all day. He shoots you an unconvinced look and you sigh in defeat. 

Since when had Carmy learned what that look meant. 

“Just-, you’re gonna think it’s dumb,” you start, almost embarrassed that you have to bring this up to him. 

“What’s up?” he asks, patiently. 

You shrug, “Just something that Nate said yesterday’s been… bothering me, I guess.”

He rolls his eyes, letting out a dry laugh as he asks you, “Well Nate’s a dick. What’d he say?”

“I-, I don’t know if I should tell you,” you admit hesitantly. 

“Why?” he asks, a pang of nerves hitting him right in the gut. 

You wait a beat, trying to figure out how best to convey what Nate said without freaking Carmy out. 

“He uh… he kind of… suggested that everyone thinks we’re sleeping together?” you say cautiously, your voice going up at the end of the sentence, almost as if it were a question. 

“Oh,” is all Carmy manages to get out. 

“Yeah,” you exhale. 

“Well, we’re not,” Carmy replies, simply. 

Right. 

“Right,” you agree. 

You’re surprised by the feeling of disappointment that wells in your chest in response to Carmy’s reply. This had been eating away at you and for him to shut it down so quickly – like it was that simple – doesn’t quite make sense to you. 

Maybe it’s because men never bear the burden of an inappropriate workplace relationship, not that you’re having one with Carmy, but you know it’d be a bigger cost to you than it’d ever be for him.

“I just…” you start, beginning to understand why it’s bothering you so much. “Do you think… like is it a problem that we’re hanging out? I mean, you are kind of my boss and… I don’t know. I guess we never really talked about the ethical implications of… you know. Us. Being friends. And also working together.”

Friends. 

Right. 

Maybe because it’s because he’s never really had friends, let alone a girlfriend, that catches Carmy off guard.

You’re just friends, motherfucker, Carmy thinks to himself. 

It’s like he’d almost forgotten. 

Perhaps it’s the isolation – the way of the world right now – but he’s never thought about what you were to him. Ever since the two of you had decided to start spending time together, it had been you and him against a very scary and uncertain world. Carmy’s surprised to find that, hearing it said aloud, friends, leaves him with a feeling of dissatisfaction – like the word friend didn’t quite describe the way he felt about you. 

But he’s terrified to think about what that could mean. That anything else would probably scare you away – push you out of his life – and there’s no way in hell he’s going to let that happen right now. 

Because he likes this too much. 

Because he likes who he is when he’s with you. 

Because you’re all he has. 

He pushes the thoughts out of his mind for another time, because right now, you’re sitting right in front of him, and he’s got a problem to solve for you. 

“As long as we’re professional in the kitchen… I don’t see why it should be a problem,” he says. 

You’re not sure how it seems so simple for him, because it doesn’t feel this simple for you. 

“Yeah, no. I-, I agree,” you lie. 

Carmy returns to what he’s doing, and you accept that that’s probably the full conversation that you’re going to have with him. At least right now. You watch as he continues to cook, pulling together the sauce as he tosses the pasta and cheese in your frying pan. You open up your phone, scrolling through a few social media posts to try your best to get your mind off of your worries as Carmy finishes up in your kitchen. 

It’s not long before he’s returned to your small dining table. You set your phone down, watching as he approaches you. 

“I remember you mentioning that it’s hard to find a good carbonara so uh… thought I’d make you one,” he says confidently. Carmy hands you bowl containing a perfectly twirled nest of spaghetti, along with a fork he’d gotten from your kitchen. 

“How do I know it’s gonna be up to my standards?” you challenge him playfully. 

He shoots you a ‘don’t play with me’ kind of look and you giggle in response. You exchange glances with Carmy before messing up the perfectly plated nest by digging your fork into it. 

“Make sure you get a little bit of everything,” he reminds you. He watches as you twirl the spaghetti around your fork, making sure to scoop up a bit of crispy guanciale. You lift the fork to your mouth before taking a bite, your eyes closing as the salty, cheesy, bite hits your tongue. 

It’s perfect.  

“Holy fuck,” you practically moan in response to your first bite. You open your eyes and he smiles back at you, proud of the response he’s earned from you. Your face twists into a look that falls somewhere between ‘this is so good I’m angry and hello, I’ve reached nirvana.’ 

“This-, please don’t take this the wrong way, but I’m pretty sure your talents are being wasted on fine dining, my friend. This is… this is fucking unreal, dude,” you say, as you continuing processing the most perfect carbonara you’ve ever had in your life. 

“No offense taken,” he says. 

You shake your head at him, “Best carbonara ever.”

September 2020: 

“So we go upstate, and we’re searching for outdoor activities we can do, you know, safely, at a distance, with masks on. And we end up at this goat farm,” Maya says, describing her and her fiance’s last few months spent in upstate New York. 

“...Was the goat named Milo?” Carmy asks, a humorous tone to his question. 

“Carmy!” you exclaim with a laugh, shooting him a look. 

“What?” he asks back. 

Both Liz, Maya, and her fiance Patrick send you questioning looks. 

“I-, it’s an inside joke,” you explain, shaking your head once again in response to Carmy’s very silly interjection. 

“Anyways, it’s so nice to be back in the city. Seriously, Liz, thanks for organizing this,” Maya continues. 

“Oh, I’m kind of getting really into this whole cute picnic thing actually,” she replies, in reference to the picnic she’s organized for the five of you. “Plus, the to-go picnic kit has been killing at the restaurant. Thanks for letting me run with that, chef.”

“No, yeah. You’re killin’ it. It was a great idea,” Carmy compliments. 

The five of you spend time in the park, catching up and enjoying time spent in person for the first time in a long time. You, Liz, and Carmy have been back at work, pushing through, what will hopefully be, the last month or so in the to-go only business at the restaurant. As the sun begins to come down, you all agree that it’s time to pack it up and go home. You’ve begun to collect all of the trash in a brown paper bag as Carmy offers to take it. 

“You sure?” you ask him. 

“Yeah,” he answers. 

As he takes a walk, in search of the nearest trash can, your friends are immediately on you about whatever the hell it is that you and Carmy are doing. 

“So what I’m hearing is… you talk every day, you have inside jokes together, and you’re basically quarantining together. How are you trying to tell us that this man is not your boyfriend?!” Maya exclaims. Her partner shrugs in agreement. 

“I know that what Nate said was hella inappropriate, but he’s not wrong… that this is the most I’ve seen him relaxed in… maybe since we met him,” Liz adds in as your friends make their case. 

“He seems into you,” Patrick offers. 

“I-,” you start, knowing you don’t have much time before Carmy returns. “I don’t know. All I know is… I like what we have. And right now, we’re friends so.”

“God, you’re so good at it,” Maya sighs. 

“What?” you ask, looking from her to Liz as they exchange glances. 

The both turn to you, before saying in unison, “Compartmentalizing!” 

Patrick holds his hands up as he says, “I’m gonna stay out of this one.”

“You ready to go?” Carmy asks, rejoining you and your friends. 

You can practically feel Liz and Maya staring at you. 

“Yeah,” you reply to Carmy. 

You say your goodbyes before going your separate ways, and Maya swears when Carmy isn’t listening that you’re not done talking about this. It’s just been you and Carmy for so long that you hadn’t thought about what it might look like to other people. Now that things were slowly reopening… you were beginning to get more questions, and maybe, you were beginning to have more questions too. 

But the last time you’d tried to bring up any conversation about your relationship with Carmy, he’d shut it down and distracted you with the best carbonara you’ve ever had in your life. Not that you were complaining, definitely not, but you were hesitant to bring it up any time soon.  As Carmy looks at you, there’s something about the way you look against the backdrop of the city, the setting sun, and the sparkling lights, that catches him off guard. He’s not ready to part ways with you yet.

“Can I walk you home?” Carmy offers, hopefully. 

“Sure,” you nod.

read chapter three

taglist: @allthefandomstogether @gaysludge @sobshoney @harrysmatcha @starbritestarlite @tpwkkmila @cool-girl-is-hot @nunya7394 @galaxyprincess51-blog @carmensberzattos

[calcium-chan]

DRAWMEGLE DUMP FROM LIKEFORVER AGO

drawmegle was this weird little website that was like omegle, except for drawing and nominally fewer nazis?? tho at launch that was a bit of an issue lol (idk the creator went on vacation right after advertising or something? oops). i got sucked into it for like a day or two and ended up drawing a bunch of stuff. ive lost some of it because there was this weird glitch that just deleted my drawings before i could save them or anything. OH WELL. thats also the reason some of these are slightly unfinished. im also going to be cropping most of these to just my side, exceptions where its funny, or the other persons art was nice or whatever. just know that these almost all had people on the other side who were also drawing their own thing. also of note, i wont be posting these in order of creation, its mostly arbitrary tbh

this first one is of haru from dorohedodo. i had just finished reading the manga about a month or so prior, and i really loved this character a lot. disregard the amogus or whatever. dorohedoro is really cool and its really special to me now. not a fan of the anime adaption but what the fuck else is new (im sorry if you like the anime, i just didnt like the style very much). Q hayashida is brilliant, and she clearly just really loves women like a lot, thank you miss Q!

next is this silly drawing of knives chau. scott pilgrim takes off had just aired, and i was slightly enamored with knives for a bit, i kin the scott pilgrim girl fucking sue me. i also drew kim, but the drawing deleted and this was the last save i had WAHOOOOOO its so fucking over. scott pilgrim takes off was obviously really really good in my opinion, and its like the perfect way to adapt an original work in my mind. uh shout outs knives or whatever.

oops shitty cowboy bebop drawing. i like this one well enough for how goofy it is. jets fucking face still kinda gets me. i love bebop a ton, but i dont think ive ever drawn the characters despite that. theyre actually a ton of fun to draw, like their shapes are all super varied and they have distinct style about them. very good cast of characters. i didnt even realize or mean to, but i kinda gave spike a fucking granny face, oops

uuuuhthese pissing dogs are really funny, they were fun to draw, and seeing peoples reactions to this one in particular was cool. having even a little bit of ability to draw on sites like this where randos are looking at your work as youre drawing it is always kind of an ego boost. like none of these drawings are really that great, but for the medium im happy with them, and having people show up and go "woah" was always really flattering and it was fun watching the other people draw and interacting with them in some limited capacity.

ggggundam bullshit. i left the other persons side this time because i thought it was kinda funny. i had been rewatching the early part of turn A gundam, and it really reminded me how fucking cool that series is? loran is like top 10 gender non conforming mech pilots (there are a surprising amount honestly). and it always kinda takes me off guard when i watch any gundam because they were just so forward thinking in a nominally "boy" coded genre. shoutouts the fucking gundam staff frfr.

@oretal joined me for these next two!

a lot of the shit in the second drawing is probably totally incomprehensible to like anyone outside of a select group. were both have that like, 3ds era nintendo brain parasite, so a lot of these are just weird obscure game characters or memes, or just straight up OCs. most of these are actually oretals little characters which have kind of entered that inside joke canon of being so ubiquitous between the two of us (and honestly i assume oretals friend group at large) that i kinda forget "glasses girl" isnt a well known character. many such cases. thank you oretal for drawing silly shit with me! i really like your drawing of james and your madotsuki yapping about blunt rotations to uboa. very cool

uuuh quick fire round of stuff i dont like how i drew but want to post anyways. the first one is my irl husband, aki from chainsaw man. i love him a lot, kinda hate this drawing tho, i think it was the first one i did? the second one is basil from omori, im a big fan of little blorbos who peep the horror, and basil is no exception. my friend got me the little vinyl figure of him for my birthday so i end up thinking about him a lot and i doodle him every now and then. very good design. the last one is kiruko from heavenly delusion. i did not have much hype going into the show after my middling feelings on summertime rendering (they were both in the news for being on disney+ for absolutely no reason). i dont remember what got me to watch it, but by the time episode 2 ended i was stuck in big time. i ended up binging the whole series in like one night and it was such a good time. the prototypical calcium show is probably somewhere between heavenly delusion and made in abyss. its a rough watch at times, but if you have this specific brainrot, its probably one of the best in its league tbh.

second to last is this drawing of vriska homestuck. i kept the other side because it was really pretty. im genuinely quite pleased witht his drawing, its not perfect but for what it is i find it visually appealing enough to like it. vriskas design is probably the best in homestuck, at least to me. its been a long time since ive read through homestuck proper, but something about these little shits sticks with you pretty much forever. actual fucking deadly brain parasites you get from dunking your head underwater in an infested pool, dead within days.

OOPS ALL KUMI CHAN! it had to be alien nine, it could only be alien nine. i love alien nine more than i love any of my blood relatives. kumi is literally me, i love this stupid fucking series so much you have no idea.

[bunnybird-afk]

i actually have a few ideas in mind for a modern au for the graveborns :D

Niru

• A military doctor (based on his lore) that constantly works day in and day out, becoming the dad who went to get the milk (body counts) to the point where he just sleeps at the hospital if so desired.

• He's also obsessed with the anatomies of a human body to the point where he had intrusive thoughts of wanting to.. 'inspect' on it more

Viperian

• Goes by Victor in this AU, a college professor who teaches biology/chemistry for foundation students, you could say that he's very great at explaining the concepts as he goes VERY into details, which makes him one of the profs that the students go for if they have any questions, despite his creepy appearance

• Little did they know that he has been having a secret past time of kidnapping people and experiments on them at midnight... (He also does this with Niru when they got the time, theyre practically besties)

Cecia

• An opera singer (based on her beta lore) that went viral on socials due to her beautiful voice and pretty appearance, guys and gals would be head over heels for her, if she were to be in any opera stages, tickets would sold out quickly

• Though, she's kinda a brat, she's too arrogant to the point where she would mistreat her butler, Mr. Carlyle (not that he mind, he's devoted to her) and takes her fans for granted

Ludovic

• Rich man in Whiteridge, holding a high title as he owns the place, fancy clothed, looks very serious and stern, with a hint of sadness in his eyes

• Though that sadness goes away when you see him painting a very beautiful landscape or portrait based on his self-grown flower field and his family... He looks the happiest in there. He would also give flowers occasionally to his people! Ah, such a great heart at a young age

(Also he's the type of person to watch a streamer/hear music while painting I don't make the rules)

Igor

• Works as a daycare attendant (and a good one at that) since he likes to play with children, the other workers there said that he has a himbo energy when they met him, his mind may be empty but his care for the children is very devoted. Their first impression of him is quite different though,,, (they crapped themselves seeing him because of how ridiculously tall he is + he has a menacing look)

• At night I'd imagine he'd become a faceless streamer (based on Ranboo), where he'd engage in horror content and silly goofy games, might also chat about funny things that happened during his life. (And yes his Vtuber is a zombie knight like in AFKJ. Again i dont make the rules)

Yeah that's all I could think off atm, i'll write the other characters if I got time

I love the idea of the graveborn nobles lowkey being from like, old money families. Especially Cecia, Thoran and Ludovic.

Also, if this was a mystery thriller/dating sim like the arcana, bodies going missing from morgues and hospitals would be one hell of a plot point. Especially if we work with @twilight-melodys lore about Hogan being a former FBI agent and Valen being his subordinate. Like imagine Hogan asking his old friend (former work partner?) for help investigating a case because he can't actually get involved in an official capacity but he trusts their abilities.

Cue Merlin and Valen investigating and realizing that this conspiracy goes way deeper than they initially thought. The local Forestry Department (the Wilders) reporting weird things happening to the local fauna, some Maulers going missing inexplicably, the local gang boss (Sonja) coming forward about what happened to her sister, and realizing the corruption that runs deep in the towns upper-class socialite society. You could go absolutely insane with this idea. At that point a romance sub-plot is probably the least of Merlin's worries (though personally I'm going a little feral over the idea of Valen in an FBI uniform).

Also, love the idea of Igor just minding his own damn business and not getting involved with all the drama. Hydrated (he's a gamer so probably not) , staying in his lane and thriving, as it should be.

[poetrysmackdown]

some informal thoughts

hello! hope the holiday season has been kind to all of you. and i hope all my jewish followers had a lovely hanukkah! anyways, since i said a few months ago that i’d pick poetry smackdown back up sometime around this time of year, i thought i should make a post. the gist of it is that i’m still quite busy, i have a break that’s about three weeks shorter than I was planning on, and i don’t currently have the mental bandwidth required to read, contemplate, and sort through poem submissions in a way that does justice to them, even if i were to recruit some friends to help out. since running a tournament format requires at least five weeks of continued engagement once it’s underway, and since i’m not at capacity to offer that right now due to the change in my schedule, i’m gonna have to bow out for now. sad bc i was looking forward to it!

my hope is that i’ll have some more time over the summer to hunker down with it, in which case you’ll be hearing from me. it’ll frankly depend on the kind of job i land in for the summer, but i find that my unemployed spirit can typically keep me doing stupid shit regardless of workload...to a point. i don’t want to make any promises because i don’t want to get anyone’s hopes up just to let them down again LOL. i do admit the amount of exposure the first tournament got has made me feel like more of a perfectionist this time around, doubly because i don’t feel that i’m very suited to being a public online presence (even a relatively quite small one)—i’m bad enough at responding to emails for my own real life responsibilities, let alone tumblr asks for the silly responsibilities i invent for myself lol. that’s not to say i no longer want to do it, or i don’t enjoy it, or even that i don’t feel capable of making a really interesting bracket—just that if i am working to put something new together, and if people are taking the time to submit poems they care about, then i don’t want to half-ass it.

my second admission is something like this. I made the original bracket as a celebration of poetry and our relationships to it. yes it was silly and competitive, and the poems were very tumblr, but still, celebration was the intention—I wanted to have conversations about poetry. I stand by the bracket format as a fun and valuable way to foster conversations about poetry, but truthfully, the poems i’m wanting to have conversations about right now—the poems that we should be talking about right now—are ones that i'm not comfortable putting in a bracket. I reblogged The Baffler’s Poems from Palestine collection on here earlier, and Najwan Darwish’s “Who Remembers The Armenians?”, which I still often find repeating through my head when I'm traveling from one place to another, walking home or riding the bus. I came across this beautiful thread recently where people have been translating Dr. Refaat Alareer’s “If I Must Die” into their own languages (this just makes my translator's heart sing!!!!!!). @havingapoemwithyou has been posting some great poems from and for Palestine as well—check out their tag here.

There's always more to add, and I'll be posting more on here as I come across it, but that's what I feel anyone should be focusing on right now when it comes to poetry. i think poetry can be an escape but it should never be a distraction. does that make sense? i wouldn't be against doing a one-off poll here or there, but it feels weird to be making a tournament for poetry right now, or anytime soon. i feel like what free time i have right now is still best utilized helping my friends with organizing in the real world. and god, a bit off-topic but while I'm talking, fuck poetry foundation—I have so much respect for all the poets keeping up the boycott, because while i think it's a simple decision, it's not always an easy one (Aurielle Lucier discussed that here).

anyways, if you read all of this, thank you for your time!! I could go on and on, but really this was just meant to be a message telling y'all that there won't be another tournament for a while lol. even so i'll be trying to use this small silly platform as best i can until palestine is free because that's the absolute least i can do.

[butts-bouncing-on-the-beltway]

In case your ask box is still open for sex questions (CN: mention of CSA)

Do you have any advice on how to reconceptualize yourself as a subject of desire? I was very much raised to consider myself mainly an object of other people’s (straight men’s) desire and this was violently inscribed into me as a child and teenager.

Now I’ve transitioned and I’m being read as male (I guess most people read me as a cis gay guy?) so this object-of-desire messaging has largely stopped. I find this pretty disorienting, both because of the loss of “positive” feedback and because I literally do not know how to be anything BUT an object of desire.

I’m looking for ways to learn what I want, develop intentions and follow through on them but I find this so difficult. Even just communicating about my desire with anyone fills me with existential dread and anxiety. I used to have this self-image of being a slut but after a lot of therapy work I’ve just sort of stopped having sex and I’m a little lost with this.

I wanna do (more) therapy about this but I’d be interested to hear your opinion if you have one!

Thank you so much both for taking the time to read this and for all you’ve shared so far! It has been really helpful and interesting for me!

Oooh great ask! (And my ask box is always open for anything always. If I'm not willing to respond to what I'm sent, I simply won't, or will post a brief "hey this asker, sorry I'm not the right person!" Or whatever lol)

Anyway lets talk about this because I was literally just talking to a partner about this yesterday:

Hmmm. Possibly a disorganized/incoherent thought pattern, but I think as follows: I am accustomed to offering my pleasure and pain to the desires of others and finding pleasure in the giving of power over me. I am left a bit unmoored how to offer service to someone who does not seem to want the power to instruct me in what I am to give, even if other aspects are desireable to you. It will be interesting to learn what it can look like to offer my own desires as service to another I think.

So every time my service top and I fuck, it starts the same way.

Top sits down in the cozy chair and I lay in bed and snuggle up into the blankets. We chitchat until one or both of us brings up an activity we'd like to do. If I bring up an activity, I tend to bring it up based on current interests or recent fantasies. My service top tends to exclusively bring up fantasies I have shared with them in the past.

This is difficult because I am *fucking petrified* of sharing my fantasies with people I fuck. I Do Not Want To Do That.

I understand how silly that sounds given all my tomfoolery recently, but the thing is: what I *want* is kind of fucking dark. Not like. Content wise (okay so sometimes cnc can get content dark too sure fine fuck) but emotionally. I am SUPER aware that the vast majority of my sexual desires are tied, in some way, into the way I blur love and abuse. I was actually talking about this at staff meeting yesterday too, naming for people the cognitive dissonance of needing to defend and normalize something in order to survive while also needing to eliminate it from your life entirely, and the wild swings of instability that can come as you flip between these.

Nothing is more pleasurable to me than pain. Nothing is more erotic than someone choosing to inflict extreme sensations until I sort of....reboot. When Wifey and I first got together, she had to sit me down and explain that while she was happy to play in the fetish with me, she NEEDED me to be able to differentiate between "fetish" and "self-harm using another human being as the harm". This is.....not really something I've mastered.

Cpnversations like this have been really important for me. In the moment that someone demonstrates the capacity to harm(not just hurt, HARM) me, I get intensely turned on. What does this mean psychologically? No fucking clue.

But over the years a few different partners have had some version of this conversation with me "I will happily do what brings you pleasure, but I will not allow you to use me to damage yourself."

It's a hard conversation I'm not gonna lie, but that's because it's important. And it gets to the conversation of object/subject of desire.

See, I have learned that my relationship to self-harming sexual practices was rooted in the inability to believe that I was loved unless I was in pain. Physical pain was genuinely pleasurable, but emotional pain wasn't, and I was utterly unable to tell the difference. The emotional pain caused by partners who were willing to harm me was slotted into the same box in my brain as the physical pain caused by partners who felt violated by realizing they had caused me harm. But it shouldn't have been.

Some people left me. I left others. Little by little I realized as partners came and went that I felt much worse around certain partners and sought sex and pain to stabilize, vs feeling much BETTER around other partners and seeking sex and pain to experience each other intimately.

Now my partners tell me no when I ask for something that they feel concerned about me not being thoughtful of myself in asking. My partners ask me to want things without first giving me parameters in which it is acceptable to want and sometimes I tell them a desire and it is fulfilled and ither times I tell them a desire and it is denied, and ALWAYS WITHOUT FAIL that is done with love.

My service top sits and waits for me to say how I want to be cared for, and if they realize I am unable to, they offer me a safe, pre-negotiated alternative to making a decision. This is power as a gift, not as theft. They take nothing that is not freely given, ever, even when they pin me down and fuck me.

I don't know when all this started turning into a genuine ability to discuss my desires with myself (let alone my partners) but the safety of no (not just mine, but MY PARTNER'S) has been so fucking mission critical to that shift.

So lets name some resonances here:

Self concept as slut despite cyclical episodes of sexual abstinenance and a genuine inability to measure up objectively to many of my best slutty slutty friends and role models

History of subjugation of self and denial of right to your own no

The message that if your partner gives you a no that means something is wrong, rather than embracing and reveling in your mutual right to an un-interrogated no

Difficulty conceptualizing oneself as autonomous in desire rather than an object to have desire enacted upon

Terror of communicating any successfully conceptualized desire secondary to either mistrust of others' ability to genuinely care for us and/or fear of real and perceived abandonment/rejection

Lets name the solutions my partners found:

Establish boundaries with me that both expect and REQUIRE me to be capable of identifying and expressing boundaries of my own

Collaboratively build a process of repair following a no that acknowledges both the distress of the rejection and the need for a boundary to not be crossed or pressured

Practice wanting - this is obvi gonna be different for everyone, but my partners have established a lot of different ways they ask me to practice wanting a thing and expressing the want to them in a low stakes environment

Recognizing that "wanting" and "continuing to want" are not inherent bedfellows, and often I will need to back out of a thing I wanted

Learning how to reconnect with my body - we really haven't talked about this one yet, but my relationship with embodiment is......bad. i have had suicidal levels of dysphoria since I was nine years old for a number of reasons, some related to gender, others to chronic health conditions, others secondary to physical abuse, and still others secondary to the coercive/traumatizing medical practices inflicted on my throughout childhood. I am largely incapable of remaining present in my body for more than about 30min at a time and this level of grounding has taken LITERAL DECADES to manage. Sex has gone from a way I further inflict this harm on myself to a way I learn to love and safely experience my body. The more memories I build of safe/secure pleasure, satisfaction, comfort, coexistence, etc, the more it feeds into and nourishes my trauma recovery. After all, how can I know how to want anything if I can't even feel its effect on me? Whether or not I enjoyed the experiment? My partners have each found their own way, through a careful balance of pain, communication, pleasure, withdrawal, etc., to keep me anchored in my body with them enough for it to ACTUALLY BE SAFE to fuck me or play with me. Friend, for 17years I thought I couldn't have an independent orgasm. In the last 2 years since a few major milestones of embodied restoration, I have managed a half dozen on my own, and am now near guaranteed orgasm with a partner. While I still ENJOY an overstimulation/lack of control induced orgasm, it has ceased to be my only option for pleasure, and I can't tell you how much that changes things

This got super long and my brain went all over so I hope I haven't gotten too confusing or off track here but I think the TLDR is probably this:

TLDR: for those of us whose subjugation was multi-layered and/or all-encompassing, we may simply never be done processing the ways in which we learned to subjugate ourselves in a desperate and subconscious attempt to survive. This sounds terrifying when you first encounter the idea. If you can persist long enough, it will begin to taste like freedom. Just because the panopticon lives inside us doesn't mean we have to help it continue to abuse us once our jailers have gone from our world. The fear is old and comes from a time when someone could and would harm you and you lacked any recourse. That time is dead, but you are not. For years you made yourself into the image of a survivor. Now you must learn how to make yourself in the image of someone who is truly living. You have never known any terror so strong as freedom in your whole life. You will never know a greater joy than abandoning that terror in the dust bin of your history. I love you. What happened should never have happened. It is part of you, and every day you persist that part becomes less meaningful as it is subsumed by the experiences of loving and being loved with abandon. You have survived. You will do so much more. I love you, but it doesn't matter. I love you and it's the most important thing in the world. I love you and I will never need to know you to justify that. I will still love you when I know you. I don't matter because this only ever deserves to be about you. You are alive. You are a glorious accident the world will never see again. You could not possibly be forgotten.

We will all be forgotten.

To be forgotten is to have been loved deeply enough to grow away from and to have changed enough to become something new.

If the void calls eternal, than why not revel in the Noise And Joy of Living before it comes for us

[ficoandleo]

I have mega ADHD so I forget things easily and have a hard time settling down and doing stuff. I don't remember everyone who deactivates or goes inactive. And I know I should express my love more for people who are currently around--i'd like to do that someday too!! But idk i kinda wanted to shout out to some of the people who deactivated/disappeared, especially recently, in the off chance they see this and know i love them lol

@battyoldman let's start with you because whether or not you decide to stick around you're kind of the most recent. I really hope you just need some time away for your mental health and, if this is something you'd like to continue doing, if it's something you enjoy, that you come back and keep blessing us with your presence. Your Ed is so. Silly and fun and chill and perfect. The video and movie titles you'd come up with are so befitting of his goofy conspiracy interests. You have really captured that old man's essence, in my opinion. Your interactions with Rui were so seamless I figured you were in one of the discord servers and already knew each other and you were just growing and exploring a relationship you'd already practiced in another setting. Honestly everything felt so seamless on your end when I saw you interact with others and when I got to interact with you--Ed was so largely unphased by everyone's shit and distaste for him(up until Towa said he was bad at sucking dick, he was not taking that lying down--) and the way he entertained himself with everyone's affairs. . .he really had the feeling of lying away in his tower, entertained by the humans. 10/10, if it's still fun for you I hope you won't leave us because we will miss you.

@ask-kaito-fuji i didn't get to interact with you much WHICH IS A SHAME. Your Kaito is so cute and he's. Really trying he felt so solid and charming and just awkward enough and I love the way you let him interact with posts that were ooc too because lbr he loves social media! He would be vibing out on tumblr!! It felt like he was this close to realizing he was in the matrix sometimes. Seeing people know a bunch of stuff and going 'why/how do you know so much it's so creepy!!' was delightful, and getting to personally chat with him once or twice was also very fun. 10/10 you brought the party to other people and you captured the character very well. His PDL is coming up though, so you may wanna hide him /joke

@frostheimking so your blog is gone but not deactivated(deactivated tumblrs have '-deactivated' and a string of numbers on the end of them and you can often still ping them) which, to me, reeks of Tumblr being stupid because I've seen that happen to multiple people before. I don't think you're gone on purpose, I assume there was a bad spam deletion somewhere or an alleged break of the rules because I've seen that happen before. So I'm hoping you either get the blog back or remake because, while you weren't around often because lbr it's slow around here for the most part, I loved your Jin??? I don't just mean because he was kinda flirting with Romeo, he was snappy and cold and. Idk he really felt like Jin. That's the best way I can think to word it, you captured his character from what I could see. I enjoyed our interactions and I enjoyed the ones you had with others too! I was looking forward to exploring Romeo and Jin's history and dynamic with you quite a bit haha. HOPEFULLY YOU GET YOUR BLOG BACK or remake if you're interested!! 10/10 tumblr fix your shit there's unfinished business--

@leo-brat-kurosagi-deactivated20 hey. You. You are far more Leo than I am lmao. I DO NOT HAVE THE MENTAL CAPACITY TO BE THE MEAN LEO THAT YOU WERE. I WISH I COULD BE AS SNARKY AND BRILLIANT. You weren't around super long and you didn't get to have a ton of interactions or answer a lot of asks but like. How do I say that I could just kind of tell what kind of potential was there for something great??? You handled him very well in the time you played him. You lived up to being a little brat for sure.

@sinostracasino-deactivated20241 YOU DO NOT UNDERSTAND THE VISCERAL REACTION OF WHAT NO WHY COME BACK THAT I FELT SEEING YOU GONE. You were hilarious and fun and silly and also a good writer as I recall. Your Taiga had great energy and this underlying tension to him and we would have dug into that Taiga doesn't care about himself if Romeo wasn't afraid to do so. I was looking forward to them having some great, stupid, cyclical arguments, maybe a shootout, maybe eventually getting back together a little. And maybe a little something for that birthday trip to Rui's bar. And his chemistry and interactions with others and with anons were fun??? Immediately warming up to Towa? Teasing the honor students?? The little bit of 'bickering' with Ritsu? Also the way you tagged some of your reblogs god. 10/10 Taiga, he owes so much child support.

. . .those are the ones off the top of my head, mostly recent, which isn't to say I don't see or recognize or have appreciation for others not being around a lot or going away(like @/ask-lucas-errant who did answer an ask recently-ish, who isn't too active but that's probably because of lack of asks/interaction; @/shiranami-ren who I figure isn't around much because they draw a lot of their answers and that's a bit more intensive of a way to run their blog--amazing stuff and very much the classic way to do this from the old days, I would absolutely do the same if I could draw; and the Lycas who deleted probably because of inactivity) all of whom have/had great presentation for their characters and handled them well but. Idk. Maybe i ended up posting mostly people 'closer' to me in this context haha. . . .

I wish this fandom was bigger and more active with sending asks and stuff because I feel like that's a big contributor to people falling off or deleting, and I wish I were more consistent with asks and responses and better at sending asks myself because I could be the change I want to see in the world. (I feel like the asks I send have to be, like, good. Like I appreciate getting simple and basic asks but I feel like I need to ask Big Headcanon Questions or something.) But I know everyone's got their own lives and their own things going on so I'm not going to pretend I know what's going on with everyone, y'know? More than anything I hope everyone--active, inactive, deleted, or otherwise--is happy and safe and comfortable where they are and that the ones who've dropped off didn't do so because of anything bad or any kind of discouragement. Sometimes we lose interest in things and that's more than fine. Or life is busy. I hope you're all doing well. I miss you! I'm sure I'm not the only one!

[genshinconfessions]

Honest to god, the more I see people behaving like actual monsters or children throwing a temper tantrum over characters not having skin as black as the abyss the more I flat out just do not have the capacity to care. I get it sucks that the characters aren't being diverse enough, I get it, but throwing death threats, slurs and god knows what else at the devs while behaving like spoiled rotten brats just makes me not care to any degree. If people can't behave like ACTUAL ADULTS and genuinely have polite points to say other than "Time to attack the devs again/slander the VAs or whoever for agreeing to go with this" whenever a character isn't dark skinned, they have no one to blame but themselves if the devs elect to not listen to what basically amounts to spoiled two year olds not getting what they want. I genuinely feel bad for people who want more diversity but are less hateful and end up being lumped in with the assholes who think threatening the devs lives is a okay, and I also feel bad for anyone genuinely excited about the Natlan characters getting absolutely harassed and ripped to shreds for not "thinking they're ugly for not being dark enough". I feel like if the fan base were ALOT LESS VITRIOLIC about the issue of diversity the devs would likely listen more. But as it stands now I can't wait for the harassing and death threats being thrown around to die down again so I can actually browse genshin twit and tumblr again in peace without having to worry about running into anyone being genuine human trash towards the devs over the color of fucking pixels. I've got enough stressing me out like grieving the loss of a parent, I don't need people being assholes to add to it and it sickens me that they don't see anything wrong with how they're acting. I'm just. I'm tired and wish people could be less like bullies or arseholes for once over a silly little gacha game they claim to love yet act like this. Sorry for this being a long confession, I just needed to get this off my chest cause it's been bugging me and stressing me out so much since the Natlan teaser got released whenever I've gone to look at Genshin stuff practically everywhere lately.....

i'm very sorry for your loss :( and if it will help you feel less alone, i generally agree with your sentiments.

for me, i am a pretty staunch hoyo defender (evident in previous posts when we used to comment on asks more frequently), but i must admit, i was slightly disappointed in the natlan characters since i believed the fan edits with darker skin did look better, and i wished hoyo would have listened to the intl fandom regarding south american/african/indigenous poc things.

that said, it's never okay to send death threats to anyone for any reason. i'm sure the devs are a lot less willing to make changes if all they're getting is death threats and, like you said, vitriolic hate. constructive criticism helps ppl realize where they're wrong and how to fix it; unconstructive criticism is generally useless and tends to be ignored.

the societal issue of colorism runs very, very deep, both in asia and generally around the world. it's not something that hoyo can fix singlehandedly by changing some characters. granted, i'm sure it would set a very good example for future game devs, and it would be really great if they did listen to intl feedback! but if they choose not to, that's not smth we can change their minds about.

side note, regarding a lot of the 'natlan is colonized' comments, we don't know the story yet. it's possible that hoyo will address it as social commentary, or it might be something totally different. leaks and the search for instant gratification have really made it difficult for people to enjoy a drawn-out storyline, and that's really sad.

we've said this a lot on this page but i'll say it again: why spend so much energy hating fictional media? if it no longer brings you joy for whatever reason (i.e. you dislike the natlan characters), stop playing. if the fandom is the main source of negativity, stop engaging with the fandom, block users and tags, curate your own experience. if you claim to hate everything about it but continue to engage with it, that's quite hypocritical and unconvincing.

in any case, if you like the game well enough to keep playing, keep playing. you don't need to justify your reasoning to anyone, and you definitely don't need to fall into a trap of radicalized (and dare i say often performative) social justice.

[turtleboyo22]

Cyno is not known for his capacity for joy. Whether cracking jokes or saving lives, Cyno never displays even an ounce of emotion on his face. For this, the General Mahamatra commands fear and respect across all of Sumeru. After all, it's hard not to cower away from a man whose expression lends nothing of itself to anyone.

As for Cyno himself, he is not ignorant enough not to have noticed how those around him act when he's there. He's hyper aware of the effect his entrance will inevitably have on a room, tense silence sucking the air from everyone else's lungs. Though this can be useful for a great many of Cyno's duties, he can't help but feel somewhat resentful of the reputation he has cultivated.

In spite of what the majority of people may believe, though, Cyno spends most of his free time quite content, joking around and enjoying life's leisures. Still, those who witness him outside of work from a far may assume that he's as serious as ever due to his perpetually neutral expression. It is only those who truly know Cyno that understand that the man does not lack emotions, but rather he merely displays his in an abnormal way. In fact, for the people who know Cyno, his joy especially is not only obvious, but also exceedingly common.

The only problem is when Cyno's job requires him to comfort those who don't know him. His expressionless face and toneless voice aren't the most soothing, and his blunt way of speaking certainly doesn't help the issue. Even his jokes can't save him, as most people just stare at him blankly afterwards. This is also what made it so difficult when the general rescued a young girl; he had no idea how to make her feel less scared of him.

When Cyno first brought Collei back to Sumeru, the young girl couldn't help but fear him. After all, ever since she was a young child she had been surrounded by people who wanted nothing more than to harm her. She underwent experiment after excruciating experiment day after day for the first 10 years of her life, all while battling a life-long illness and finding out her parents had died. When Cyno had found her, Collei was still adjusting to the idea of people treating her with kindness. Her past combined with Cyno's stern disposition compounded into Collei being afraid of the man who was trying to save her. She thought it was silly, looking back.

Collei first saw Cyno happy a week after she was brought to Sumeru. Cyno had come to visit her and Tighnari to see how she was settling in and Collei found herself playing card games at a too small dinner table with her newfound guardians. Cyno had been telling puns throughout the evening, a past time of the man's that Collei had yet to become accustomed to, but Tighnari's defeated expression told her it was commonplace.

In any case, one joke in particular caught Collei's attention: "I don't think we should play poker today," Cyno said. "Why not, Cyno? You usually jump at the opportunity to beat me at everything," Tighnari snarked, making Collei smile. She'd adjusted to her new master's occasional sass over the past week, meaning she'd learnt there was no malice behind his words. "Well Collei has already been through so much, I wouldn't want to hurt her more."

A beat of silence.

"Do you not understand the joke? You see, poker sounds like poke her. As in I'd be poking Collei, harming her further. But also it's the game's name," Cyno explained.

Another beat.

"Cyno," Tighnari groaned, covering his frustration with a hand over his face. "I thought it was funny," Cyno said, stoney tone and twin expression both very much still intact. "It was insensitive to Collei," Tighnari argued, "you can't just say things like that."

"But why not? All three of us know that she's had to endure a lot of pain in the past. It's not a secret," Cyno argued back.

And as their bickering continued, Collei found herself smiling. She was fond of them, she realised, fond of the men who had rescued her and fond of their playful arguing. Her smile grew until a small laugh escaped her mouth, more and more following until she was giggling. She couldn't remember the last time she laughed.

Cyno and Tighnari immediately shut up, snapping round to look at Collei in shock. She'd barely spoken since she arrived at Tighnari's hut, and now she was giggling. "Told you it was funny," Cyno gloated and Collei couldn't help it. She was full on laughing now, arms wrapped around her torso as her cheeks ached with joy.

Tighnari started to chuckle a bit then, so endeared by Collei's antics. Cyno just watched the two. From afar, anyone would've thought it cold but typical of the general mahamatra. He did not smile nor did he laugh. In fact, he was so expressionless that he seemed almost detached. But Tighnari knew better, and Collei was starting to as well.

Cyno's shoulders had relaxed, Collei noted, not realising they were ever tense until they weren't anymore. As her laughter died down, she also noticed how Cyno's eyebrows were less bunched up now, highlighting the newfound pink of his cheeks and red of his ears.

"Proud of yourself?" Tighnari teased the man, but there was no bite to his words. It was clear Tighnari had noticed Cyno's sudden change in demeanor, attempting to prolong Cyno's (and Collei's) joy for as long as possible by jabbing further. The softness of Cyno's movements as his hand found its place upon Tighnari's put Collei at ease. Perhaps she could find a home here with these two afterall. After all, this was the safest she'd felt in years.

[tanadrin]

@zvaigzdelasas arguing in replies is annoying, so i am just going to put this in a post

Khmer Rouge wouldn't have been what it was without the US overthrowing Sihanouk bc of his perceived socialist sympathies and instituting & upholding the violent Lon Nol regime. You are in the imperial core in 2023, you are not in Angkor Wat in 1970

not my main point, which is just that revolutions (at least in the classic sense of storming-the-barricades or even just extraconstitutional shenanigans) are chaotic situations with unpredictable outcomes. you can get lots of positive changes. you can get lets of shitty ones. they're great for authoritarians and fascists in equal measure to sainted socialists or w/e. they do not solve the problem of having to do politics, but the rhetoric around the One True Revolution acts like it's the end of a long process, and not the beginning of a new, much more dangerous one.

if by "revolution" you just mean "major set of reforms carried out by winning control of existing political structures," sure, that's a lot less risky. but this would involve engaging with those wicked corrupt and nasty institutions of liberal democracy people are always so scornful of.

liberal democracy has pathways for lasting change [Citation Needed]

since the middle of the 19th century the US and Britain have seen massive improvements in income distributions, the creation of and the expansion of the welfare state, universal male suffrage, women getting the right to vote, (in the US) black people getting the right to vote, gay people going from criminals to a minority with rights protected under the law (including gay marriage), plus a laundry list of smaller but still important and lasting democratic, economic, and social reforms. yes, progress is not monotonic. no, no party is credibly threatening to (say) reimpose legal segregation in the US, or strip women of the right to vote anywhere in Europe. "nothing ever gets better" is an absolutely deranged take, especially when a lot of the reason things have gotten better is leftists willing to fight for improvements even if they fell short of total communist revolution.

You're aware of the world historic wave of reaction going across the western world like, right now right

Obviously! And I love the idea that a communist society would be magically free of prejudice or reactionaries leveraging it for power. Because it wouldn't be! And socialist countries generally have a human rights record that reflects similar issues!

(here I said even this language of "imperial core" involves assumptions which are silly and which i'm not willing to grant. marxists use the word "empire" in a way which is not actually very useful and has little explanatory power)

"within the geographic distribution of the highest value added surplus" very obvious explanatory power when the question is one of control over global labor capacity

i don't know if you're being deliberately disingenuous or what but the marxist use of the term "imperialism" is in fact much more sophisticated than that

and i think it's wrong in important ways, especially in the postcolonial period. the usage originated when colonial empires in the literal sense were very important; now, not so much. while there are important postcolonial dynamics of exploitation worth talking about, i do not think the framework of imperialism as articulated in the 19th century is anywhere close to sufficient, and it should be abandoned.

also don't wanna get bogged down in the weeds, just pointing out that one of the really irritating things about arguing with communists is you use words in annoying ways that inhibit rather than facilitate analysis.

And these are things that, for example, the AfD aren't trying to roll back?

you know you can look up the AfD's party platform online? like it's full of stupid, awful, xenophobic shit, and they are rightly reviled, but "return to the constitution and political structures of the German Empire" is not in there. i think the fact that even the biggest party of right-wing reactionaries can't imagine rolling back the clock more than a few decades is noteworthy--there are political gains over the history of modern leftism which are now so universally respected literally no one remembers we had a fight about them once.

like, obviously things have gotten better for the vast majority of people in germany, britain, or the US since the 1870s, and i don't know what we accomplish by pretending otherwise? except maybe creating some kind of martyr complex where we pretend leftism (and the labor movement in particular) is much less effective than it actually is.

i am going to mute replies to this and my other posts in this series, because on this particular morning i would rather have a root canal than argue about the word "imperalism," and i suspect this is the kind of argument that could go on literally forever. i do not think we are likely to persuade one another, but i have laid out why i find the contemporary marxist perspective on these things deeply unpersuasive (to the extent i can without rehashing a bunch of old posts), so i feel like i have said my piece.